Appearance
Scaler
Quantize notes to a scale

When to use it
Use Scaler anywhere you need in-key notes — after a random source, before Harmony/Arp, or on live input. Choose a preset scale or build a custom one from individual degrees.
Parameters
| Parameter | Range | What it does |
|---|---|---|
| Bypass | 0 – 1 | When on, the device is disabled and MIDI passes through unchanged. |
| Key | 0 – 11 | Root pitch class (C–B) for scale quantization. |
| Quantize | 0 – 2 | How out-of-scale notes are corrected (down, up, or filtered out). |
| Scale | 0 – 50 | Preset scale from the built-in library, or Custom to use degree toggles. |
| I | 0 – 11 | Include scale degree 1 when Scale is Custom (pitch class 0–11). |
| I# | 0 – 11 | Include scale degree 2 when Scale is Custom (pitch class 0–11). |
| II | 0 – 11 | Include scale degree 3 when Scale is Custom (pitch class 0–11). |
| II# | 0 – 11 | Include scale degree 4 when Scale is Custom (pitch class 0–11). |
| III | 0 – 11 | Include scale degree 5 when Scale is Custom (pitch class 0–11). |
| IV | 0 – 11 | Include scale degree 6 when Scale is Custom (pitch class 0–11). |
| IV# | 0 – 11 | Include scale degree 7 when Scale is Custom (pitch class 0–11). |
| V | 0 – 11 | Include scale degree 8 when Scale is Custom (pitch class 0–11). |
| V# | 0 – 11 | Include scale degree 9 when Scale is Custom (pitch class 0–11). |
| VI | 0 – 11 | Include scale degree 10 when Scale is Custom (pitch class 0–11). |
| VI# | 0 – 11 | Include scale degree 11 when Scale is Custom (pitch class 0–11). |
| VII | 0 – 11 | Include scale degree 12 when Scale is Custom (pitch class 0–11). |
Parameter values
Bypass
| Value | Name | Meaning |
|---|---|---|
| 0 | Off | Device is active and processes MIDI. |
| 1 | On | Device is bypassed; messages pass through unchanged. |
Key
| Value | Name | Meaning |
|---|---|---|
| 0 | C | Root pitch class C. |
| 1 | C# | Root pitch class C sharp. |
| 2 | D | Root pitch class D. |
| 3 | D# | Root pitch class D sharp. |
| 4 | E | Root pitch class E. |
| 5 | F | Root pitch class F. |
| 6 | F# | Root pitch class F sharp. |
| 7 | G | Root pitch class G. |
| 8 | G# | Root pitch class G sharp. |
| 9 | A | Root pitch class A. |
| 10 | A# | Root pitch class A sharp. |
| 11 | B | Root pitch class B. |
Quantize
| Value | Name | Meaning |
|---|---|---|
| 0 | Down | Snap to the nearest scale degree below the input pitch. |
| 1 | Up | Snap to the nearest scale degree above the input pitch. |
| 2 | Filter | Drop notes that are not in the scale. |
Available scales
TIP
Preset Scale values 1–50 in the Scaler device. Set Scale to Custom (0) to build your own pool from the Degree toggles instead.
| # | Scale | Description |
|---|---|---|
| 1 | Chromatic | All twelve semitones — no quantization. |
| 2 | Major | Ionian major — the common major scale. |
| 3 | Natural Minor | Natural minor (Aeolian). |
| 4 | Pentatonic Major | Major pentatonic — five notes, no semitone clashes. |
| 5 | Pentatonic Minor | Minor pentatonic — blues-friendly five-note set. |
| 6 | Blues | Blues hexatonic with lowered fifth. |
| 7 | Harmonic Minor | Minor with raised seventh (leading tone). |
| 8 | Melodic Minor | Ascending melodic minor. |
| 9 | Dorian | Dorian mode — minor with raised sixth. |
| 10 | Mixolydian | Mixolydian — major with lowered seventh. |
| 11 | Lydian | Lydian — major with raised fourth. |
| 12 | Phrygian | Phrygian — minor with lowered second. |
| 13 | Locrian | Locrian — diminished fifth flavor. |
| 14 | Whole Tone | Whole-tone — six equal whole steps. |
| 15 | Bebop Dominant | Bebop dominant — passing tone on dominant 7th. |
| 16 | Bebop Major | Bebop major — passing tone in major. |
| 17 | Bebop Minor | Bebop minor — passing tone in minor. |
| 18 | Harmonic Major | Major with harmonic minor raised seventh. |
| 19 | Altered | Super Locrian / altered dominant. |
| 20 | Half-Whole Diminished | Half–whole diminished. |
| 21 | Whole-Half Diminished | Whole–half diminished. |
| 22 | Lydian Dominant | Lydian dominant — Mixolydian with #4. |
| 23 | Diminished Whole Tone | Diminished whole-tone hybrid. |
| 24 | Overtone | Overtone / acoustic scale. |
| 25 | Augmented | Augmented — major thirds cycle. |
| 26 | Japanese | Japanese insen-style pentatonic. |
| 27 | Egyptian | Egyptian pentatonic. |
| 28 | Flamenco | Flamenco / Spanish gypsy. |
| 29 | 2x Harmonic Major | Double harmonic major. |
| 30 | Hungarian Minor | Hungarian minor. |
| 31 | Persian | Persian — augmented second flavor. |
| 32 | Neapolitan Minor | Neapolitan minor. |
| 33 | Neapolitan Major | Neapolitan major. |
| 34 | Raga Bhairav | Raga Bhairav. |
| 35 | Indian | Indian pentatonic variant. |
| 36 | Chinese | Chinese pentatonic. |
| 37 | Arabian | Arabian — hijaz-like. |
| 38 | Balinese | Balinese pelog-derived. |
| 39 | Balinese Pelog | Balinese pelog (alternate). |
| 40 | Enigmatic | Enigmatic — unusual intervals. |
| 41 | Prometheus | Prometheus — mystic chord color. |
| 42 | Messiaen's Mode 2 | Messiaen mode 2 (octatonic). |
| 43 | Messiaen's Mode 3 | Messiaen mode 3. |
| 44 | Pentatonic Neutral | Neutral pentatonic. |
| 45 | Nine-Note Jazz | Nine-note jazz scale. |
| 46 | Hexatonic Blues | Hexatonic blues variant. |
| 47 | Freygish | Phrygian dominant (Freygish). |
| 48 | Byzantine | Byzantine double harmonic. |
| 49 | Tarantella | Tarantella — southern Italian flavor. |
| 50 | Raga Kafi | Raga Kafi. |